Presonus Eris E5 and Temblor T10 Complete Monitoring System

Presonus Eris E5 and Temblor T10 Complete Monitoring System

Product code: preeris5subbun

Full range active monitoring solution with 5 inch speakers and 10 inch subwoofer, reaching right down to 20Hz.

  • Presonus Eris E5 and Temblor T10 Complete Monitoring System

    Full range active monitoring solution with 5 inch speakers and 10 inch subwoofer, reaching right down to 20Hz.

    Main Features

    • System frequency range: 20Hz - 22kHz
    • 5.25-inch Kevlar® low-frequency transducer
    • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
    • Front-firing acoustic port for superior bass-frequency reproduction
    • RF interference, output current limiting, over-temperature, transient, and subsonic protection
    • Optimised, resonance-suppressing internal bracing
    • Cables included
    Read More

    Package consists of:

    • 1 x Presonus Eris E5 5 inch Active Studio Monitors (Pair)
    • 1 x Presonus Temblor T10 Active Studio Subwoofer
    • 2 x 3 metre balanced jack to Male XLR cable
    • 2 x 2 metre male XLR to female XLR cable

    Presonus Eris E5 5 inch Active Studio Monitors (Pair)

    The Presonus Eris E5 monitors deliver studio-accurate sound from a compact enclosure.
    When you're ready to get serious about recording, it's time to step up to PreSonus Eris-series studio monitors. Cheap computer speakers and home-stereo speakers won't reveal the truth about your mix. They aren't designed for that.
    In contrast, Eris E5 speakers are real studio monitors, delivering a very accurate response with a tight bass and very clear upper end. That's what you need in a home studio. Thanks to well-designed Kevlar low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris 5 delivers the goods.

    When Size Matters
    If space is at a premium, or if you want the ultimate in portability, the compact Eris E5 takes up just 7 x 10.24 x 7.68 inches (178 x 260 x 195 mm) and weighs in at just 10.2 lbs (4.63 kg). You can shoehorn this little beauty into almost any studio space.

    The E5 sports a 5.25-inch, Kevlar low-frequency driver, mated with a 45W, Class AB amplifier and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that's impressive.

    The Eris E5 provides balanced XLR, balanced 1/4 inch TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path. With this selection, you'll have no problem hooking your Eris E5's up with virtually any line-level source.

    You're in control!
    Today's music producers deal with a wide variety of musical genres and often work in more than one location. It's easy to take your Eris E5 speakers with you when you want to work in a different space. It's almost as easy to customise their sound for your room and type of music.

    The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system: that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you've gain-staged your system, you can leave this control alone.

    The Eris E5 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 with a subwoofer.

    In addition to the Acoustic Tuning controls, Eris E5's offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below 800 Hz by a specified amount (-2 or -4 dB) to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner. If you don't want to roll off those lows, set it to 0 dB.

    This combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don't have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors' response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.

    Safety Matters
    Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you've ever heard a radio broadcast unexpectedly coming out of a guitar amp, that's the result of RF interference.)

    Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer's performance.

    Finally, Eris' power amplifiers have a 'soft startup' so that you don't get damaging pops in the speakers when you power them up.

    Eris E5 Specifications (Per Speaker)

    1- Balanced XLR
    1- Balanced 1.4 inch TRS
    1- Unbalanced RCA

    Frequency Response: 53 Hz - 22 kHz
    Crossover Frequency: 3 kHz
    LF Amplifier Power: 45W
    HF Amplifier Power: 35W
    Peak SPL (@ 1 meter): 102 dB
    LF Driver: 5.25 inch Kevlar
    HF Driver: 1 inch silk dome
    Input Impedance: 10 k ohm

    User Controls
    Volume Range:A-type taper
    MF Control: -6, 0, +6 dB
    HF Control: -6, 0, +6 dB
    Low Cut: Flat, 80 Hz, 100 Hz
    Acoustic Space: Flat, -2 dB, -4 dB

    RF interference
    Output-current limiting
    Turn-on/off transient
    Subsonic filter
    External mains fuse

    Dimensions (W x D x H): 178 x 195 x 260 mm / 7 x 4.68 x 10.24 inches
    Weight: 4.63 Kgs / 10.2 lbs.

    Presonus Temblor T10 Active Studio Subwoofer

    The Presonus Temblor T10 is a versatile and powerful active studio subwoofer that perfectly complements any monitoring setup
    The Bottom Line Is Great Sound
    To hear what's really going on at the bottom of your mixes, you need a subwoofer that speaks the truth. The Presonus Temblor™ T10 lets you take charge of the low-frequency foundation of your mix with a combination of quality components and design, plenty of inputs and outputs, and extensive user controls not normally available in this price range.

    An ideal companion to Eris™ and Sceptre™ active reference monitors, the T10 complements full-range monitors without overshadowing them, extending the reach of your full-range system's low end with a musical and natural approach.

    Powerful and musical, Temblor features high-quality components and design that enable it to deliver fast and accurate transient response, extending low frequencies without a hint of 'tubbiness' or overshoot.

    The Temblor T10 is an active subwoofer with a 10-inch glass-composite driver, built-in crossover, high-temperature voice coil, and damped rubber surround. Its cabinet features a front-firing, bass-reflex acoustic port and optimised, resonance-suppressing internal bracing. The enclosure has integrated rubber feet for stable placement.

    In addition to outstanding accuracy and a frequency response that ranges from 20 Hz to 130 Hz, this combination of features enables the subwoofer to produce higher volume—up to 113 dB SPL—with less power than a sealed-box design. But make no mistake, the T10 has plenty of juice: 250 watts of Class AB power.

    The result is a subwoofer that delivers accurate, tight low end and outperforms subs costing far more. With Temblor T10, you hear what the foundation of your mix really sounds like so you can produce your best mix from top to bottom.

    Customise Your System Until It's Just Right
    The T10 provides more user controls than any other subwoofer in its class, enabling seamless integration into your listening environment.

    The Temblor T10's extensive user controls include input gain (-30 dB to +6 dB, continuously variable) and a continuously variable lowpass filter (50 Hz to 130 Hz) that let you create a seamless crossover transition between your full-range studio monitors and subwoofer for a more accurate listening environment.

    A switchable highpass filter removes frequency content below 80 Hz from the full-range signal sent from the T10 outputs to the main monitors, avoiding destructive cancellation and reinforcement in the T10's upper range.

    The result is a subwoofer that can be adjusted to perfectly complement not only Sceptre™ CoActual™ and Eris™ active studio monitors but virtually any studio monitor.

    The T10 also features a momentary footswitch (included) that bypasses the subwoofer, highpass filter, and Sub Out. This allows your audio source signal to pass directly through the Temblor T10 to the full-range studio monitors, making comparing your mix with or without sub frequencies quick and easy. This helps to ensure your mix will sound good on a wide variety of systems.

    Of course, Presonus didn't forget the 'small things' that can make a big difference: polarity invert and a ground-lift switch.

    Versatile I/O Works With Any Setup
    The Temblor T10 provides a choice of three input pairs: two sets of balanced inputs (XLR and 1/4 inch TRS) and one pair of RCA unbalanced inputs. Pairs of inputs are provided in order to accept a stereo signal from your audio source.

    When both of the balanced connections are in use, the TRS inputs will take precedence over the XLR inputs. The RCA inputs will sum into either balanced connection.

    You get two pairs of balanced outputs: XLR and 1/4 inch TRS. The full-range signal connected to the stereo inputs on the T10 is passed through to these outputs so you can connect them to your main left and right studio monitors. If the High Pass Filter switch is engaged, frequencies below 80 Hz are not sent from these outputs.

    The T10 also has a balanced XLR output that sends the low-frequency signal from the lowpass filter to a second Temblor T10 for the ultimate in smooth low end.

    Presonus Temblor T10 Specifications

    2- Balanced XLR
    2- Balanced 1/4 inch TRS
    2- Unbalanced RCA

    2- Balanced XLR (full range with 80 Hz HPF option)
    2- Balanced 1/4 inch TRS (full range with 80 Hz HPF option)
    1- Balanced XLR (Sub Out)

    Frequency Response: 20 Hz – 200 Hz
    Low Pass Filter Frequency: 50 – 130 Hz (variable)
    Signal-to-Noise Ratio: >98 dB
    THD: 0.019% @ power <160W
    Amplifier Power: 170W RMS
    Power Consumption: 230W
    Amplifier Type: Class AB
    Peak SPL at 1m: 113 dB
    Woofer: 10 inch glass-composite

    User Controls
    Input Gain Range: -30 to +6 dB
    Polarity Switch: 0° or 180°
    Low Pass Filter Control: 50 Hz to 130 Hz
    Ground Lift Switch: On/Off
    High Pass Filter Switch: On/Off
    Bypass Footswitch: On/Off

    RF interference
    Output-current limiting
    Turn-on/off transient
    Subsonic filter
    External mains fuse

    Vinyl-laminated MDF

    Dimensions and Weight
    Dimensions (W x D x H): 320 x 400 x 400 mm / 12.6 x 15.75 x 15.75 inches
    Weight: 19.9 Kgs / 39.46 lbs

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  • Additional Information

    On demo in store No
    Brand Presonus
    Condition New
    Power 51-100W
    1- Balanced XLR
    1- Balanced 1.4 inch TRS
    1- Unbalanced RCA