Gibson SG Standard Heritage Cherry Electric Guitar (ex-display)
Gibson USA SG Standard Heritage Cherry with Gibson Hard Shell Case
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Like the landmark Les Paul before it, the SG Standard shattered all perceptions of what a guitar could be when it was first introduced in 1961. Today, it stands as one of the most popular and best-selling of all Gibson guitars. Its distinct twin cutaways, pointed horns, and bevelled edges have made it one of the most inspired and iconic designs in the history of guitar-making. And not only is it one of the most eye-catching guitar designs, it is also one of the most functional and effective.
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'50s Rounded Neck Profile
No guitar neck profiles are more distinguishable than the neck profiles employed on the Gibson models of today. The more traditional '50s neck profile—found on the SG Standard—is the thicker, rounder, more time-honoured profile, emulating the neck shapes of the iconic late '50s Gibson models. The neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest—including the final sanding—is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.
Like all classic Gibson guitars, the necks on Les Pauls and SGs are distinguished by one of the more traditional features that have always set them apart—a glued neck joint. Gluing the neck to the body of the guitar ensures a 'wood-to-wood' contact, no air space in the neck cavity, and maximum contact between the neck and body, allowing the neck and body to function as a single unit. The result? Better tone, better sustain, and no loose or misaligned necks.
GIBSON'S 490R AND 498T PICKUPS
The mid to late 1960s saw the emergence of a very different type of music coming from the clubs of England. It was an interpretation of the blues that hadn't been heard before, and it was much harder, more rocking, and definitely louder than anything else before it. As such, this new genre's players were demanding more powerful amplifiers with increased volume outputs to satisfy their sonic explorations. This led to a call for a more versatile pickup to split coils through a push/pull knob, and prevent the microphonic feedback that occurs when the volume is turned up to maximum levels. Gibson answered this call with the introduction of the revolutionary 490T and 490R pickups ('T' for treble, and 'R' for rhythm), which has the traditional characteristics of the original 'Patent Applied For' pickups, but with two key modifications. First, a four-conductor wiring scheme allows the 490s to be connected to any push/pull knob, which lets players split the coils and increase versatility. Gibson also introduced wax potting, which does away with any air space inside the pickup—thus lessening the chances of microphonic feedback. The result is a humbucker with the tonal characteristics of an original PAF, with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490's ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet to an Alnico V, thus making it slightly hotter with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge, which is different than the spacing of the strings at the neck.
Solid Mahogany Body
Probably the most central of all SG features is its solid mahogany body. The mahogany goes through the same rigorous selection process as all of Gibson's woods, and is personally inspected and qualified by Gibson's team of skilled wood experts before it enters the factories. Inside the Gibson factories, humidity is maintained at 45 percent, and the temperature at 70 degrees. This ensures all woods are dried to a level of 'equilibrium,' where the moisture content does not change during the manufacturing process. This guarantees tight-fitting joints and no expansion, and controls the shrinkage and warping of the woods, in addition to reducing the weight. It also improves the woods' machinability and finishing properties. Consistent moisture content means that the SG will respond evenly to temperature and humidity changes long after it leaves the factory.
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On demo in store No Brand Gibson Condition Ex-display
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